About Halereya Sakralʹnoho Mystetstva

HALEREYA SAKRALNOHO MYSTETSTVA (Drohobych): Ce qu'il faut savoir pour ... ## Halereya Sakralnoho Mystetstva (Gallery of Sacred Art), Drohobych: what it is and how to visit Halereya Sakralnoho Mystetstva (often rendered in English as the Sacred Art Gallery) is a museum gallery in Drohobych, Lviv Oblast, Ukraine, focused on sacred and ecclesiastical art traditions associated with the region. It’s located at 18 Sichovykh Striltsiv Street (вул. Січових Стрільців, 18), with coordinates around 49.3543, 23.4976. ### Where exactly is it? - Address: Sichovykh Striltsiv St, 18, Drohobych, Lviv Oblast, Ukraine, 82100 - Coordinates: ~49.3543917° N, 23.4975779° E (minor variations by source are normal for geocoding) ## What makes this place notable (verified details) This gallery is commonly described as a structural unit associated with the local museum complex “Drohobychchyna” (often translated as the Drohobych region museum / local lore museum network). A few specifics that are repeatedly documented across reference sources: - Opened in 1996, with later reorganization noted in 2010. - The collection is described as “over 190 exhibits” (wording varies, but the “190+” figure is explicit in Ukrainian Wikipedia). - The gallery is housed in a building identified as a former villa/house connected to the city’s historical administration, described as the former villa/house of a vice-burgomaster named Yakub (Jakub) Feuerstein / Fireshtejn (spelling varies by transliteration). - English-language museum listings characterize the exhibition as highlighting Drohobych as a historical center of painting, carving, and goldsmithing, especially across the 17th–18th centuries. ## What you’ll see inside (collection scope you can cite) Because “Sacred Art Gallery” is used both as a proper name and a general descriptor, it helps to be precise about what’s been published about the exhibited media: - A regional tourism/museum listing describes the gallery as exhibiting paintings (16th–20th centuries), graphic arts (17th–20th centuries), sculpture, and works of sacral art. - Another detailed regional guide page (Karpaty.info) explicitly notes sacred art themes and mentions displays that include sacral art of the Boyko region alongside church art from later centuries. If you want to keep the post strictly factual, avoid claiming specific icon schools, named artists, or signature objects unless you can source them from the museum’s own catalogue/official pages (not fully captured in the snippets above). ## Visiting info (hours, contacts) + what may be outdated ### Typical opening hours (most consistently published) Multiple sources list operating hours as: - 10:00–17:00 - Closed Monday Tripadvisor listings also show daytime hours and a Monday closure pattern, but those pages can lag behind real changes. ### Contact points published online A travel-directory entry lists: - Official site: drohobych-museum.com - Email: [email protected] - Phone numbers: +380 32 443 3798 (and additional numbers) ### Ticket prices (treat as “verify before you publish”) Karpaty.info publishes admission fees (e.g., adult/student/children pricing in UAH) and guided-tour rates. These figures are highly likely to change over time (especially with inflation, staffing changes, and wartime conditions), so they should be framed as previously published reference pricing and verified with the official museum channels before publication. ## Context that matters right now: safety, access, and reality on the ground If you’re publishing a travel post about any attraction in Ukraine, it’s responsible (and factual) to acknowledge that martial law is in place and that conditions can vary by region, including curfews and rapid changes due to security incidents. Government travel advisories from multiple countries continue to warn against travel to Ukraine due to the ongoing war and associated risks. How to present this without speculation: - State that restrictions can exist (curfews, closures, altered hours). - Recommend readers check official sources (museum channels + their government travel advice) immediately before any travel. - Avoid promising “open daily” or “easy access” unless you can verify it for the current month. ## Pairing it with nearby, verifiable cultural stops in Drohobych If you want to help readers build a coherent culture-focused half-day (without inventing details), one nearby anchor is St. George’s Church in Drohobych, which is part of the UNESCO World Heritage property “Wooden Tserkvas of the Carpathian Region in Poland and Ukraine” (inscribed 2013). World Heritage Centre That connection is useful editorially because it lets you keep the narrative grounded: sacred art in the gallery + a world-recognized sacred wooden architecture site in the same city.

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Halereya Sakralʹnoho Mystetstva

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Updated June 11, 2025

HALEREYA SAKRALNOHO MYSTETSTVA (Drohobych): Ce qu’il faut savoir pour …

## Halereya Sakralnoho Mystetstva (Gallery of Sacred Art), Drohobych: what it is and how to visit

Halereya Sakralnoho Mystetstva (often rendered in English as the Sacred Art Gallery) is a museum gallery in Drohobych, Lviv Oblast, Ukraine, focused on sacred and ecclesiastical art traditions associated with the region. It’s located at 18 Sichovykh Striltsiv Street (вул. Січових Стрільців, 18), with coordinates around 49.3543, 23.4976.

### Where exactly is it?
– Address: Sichovykh Striltsiv St, 18, Drohobych, Lviv Oblast, Ukraine, 82100
– Coordinates: ~49.3543917° N, 23.4975779° E (minor variations by source are normal for geocoding)

## What makes this place notable (verified details)
This gallery is commonly described as a structural unit associated with the local museum complex “Drohobychchyna” (often translated as the Drohobych region museum / local lore museum network).

A few specifics that are repeatedly documented across reference sources:

– Opened in 1996, with later reorganization noted in 2010.
– The collection is described as “over 190 exhibits” (wording varies, but the “190+” figure is explicit in Ukrainian Wikipedia).
– The gallery is housed in a building identified as a former villa/house connected to the city’s historical administration, described as the former villa/house of a vice-burgomaster named Yakub (Jakub) Feuerstein / Fireshtejn (spelling varies by transliteration).
– English-language museum listings characterize the exhibition as highlighting Drohobych as a historical center of painting, carving, and goldsmithing, especially across the 17th–18th centuries.

## What you’ll see inside (collection scope you can cite)
Because “Sacred Art Gallery” is used both as a proper name and a general descriptor, it helps to be precise about what’s been published about the exhibited media:

– A regional tourism/museum listing describes the gallery as exhibiting paintings (16th–20th centuries), graphic arts (17th–20th centuries), sculpture, and works of sacral art.
– Another detailed regional guide page (Karpaty.info) explicitly notes sacred art themes and mentions displays that include sacral art of the Boyko region alongside church art from later centuries.

If you want to keep the post strictly factual, avoid claiming specific icon schools, named artists, or signature objects unless you can source them from the museum’s own catalogue/official pages (not fully captured in the snippets above).

## Visiting info (hours, contacts) + what may be outdated

### Typical opening hours (most consistently published)
Multiple sources list operating hours as:
– 10:00–17:00
– Closed Monday

Tripadvisor listings also show daytime hours and a Monday closure pattern, but those pages can lag behind real changes.

### Contact points published online
A travel-directory entry lists:
– Official site: drohobych-museum.com
– Email: [email protected]
– Phone numbers: +380 32 443 3798 (and additional numbers)

### Ticket prices (treat as “verify before you publish”)
Karpaty.info publishes admission fees (e.g., adult/student/children pricing in UAH) and guided-tour rates. These figures are highly likely to change over time (especially with inflation, staffing changes, and wartime conditions), so they should be framed as previously published reference pricing and verified with the official museum channels before publication.

## Context that matters right now: safety, access, and reality on the ground
If you’re publishing a travel post about any attraction in Ukraine, it’s responsible (and factual) to acknowledge that martial law is in place and that conditions can vary by region, including curfews and rapid changes due to security incidents.

Government travel advisories from multiple countries continue to warn against travel to Ukraine due to the ongoing war and associated risks.

How to present this without speculation:
– State that restrictions can exist (curfews, closures, altered hours).
– Recommend readers check official sources (museum channels + their government travel advice) immediately before any travel.
– Avoid promising “open daily” or “easy access” unless you can verify it for the current month.

## Pairing it with nearby, verifiable cultural stops in Drohobych
If you want to help readers build a coherent culture-focused half-day (without inventing details), one nearby anchor is St. George’s Church in Drohobych, which is part of the UNESCO World Heritage property “Wooden Tserkvas of the Carpathian Region in Poland and Ukraine” (inscribed 2013). World Heritage Centre

That connection is useful editorially because it lets you keep the narrative grounded: sacred art in the gallery + a world-recognized sacred wooden architecture site in the same city.

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